Situated on the dike south of the Duong River in Thuan Thanh District, Bac Ninh Province, But Thap Pagoda (Pen Stupa Pagoda), or Chua But Thap in Vietnamese is one of the finest pagodas in the northern Vietnam and known as Vietnam's first Buddhist center. The pagoda was built under the dynasty of King Tran Thanh Tong (1258-1278) and rebuilt in 1647 in the Le Dynasty by Chinese Zen Buddhist priest Zhus Zhus, known as Chuyet Chuyet in Vietnamese. Legend has it that when leaving his former pagoda on the northern bank of the Duong River, priest Chuyet Chuyet saw a flock of flying swallows suddenly swooping down and perching on the ground on the southern bank, he decided to rebuild the pagoda there and named it Ninh Phuc Tu, which means peace and bless.
The pagoda's history is also connected with Queen Trinh Thi Ngoc Truc, a daughter of Lord Trinh Trang. After her husband died, her father forced her to marry King Le Thanh Tong (1619-1643). The Queen then devoted herself to the Buddhism religion and raised money to restore the Ninh Phuc Tu. During this time she wrote Ngoc Am Chi Nam, considered as Vietnam's first Han-Nom (Chinese-Vietnamese) dictionary.The pagoda was built according to Noi Cong Ngoai Quoc (Nei Kung Wai Kwo) architectural style, which means it has the shape of the Chinese script Kung inside and the script Kwo outside. With more than 100 compartments, But Thap is larger than many other pagodas in the north. Passing through its three-entrance gate, then a bell tower with eight roofs, visitors reach the main temple complex. The main entrance of the temple is open on big holidays only while on normal days visitors have to enter the temple through the small side entrances.
Inside the pagoda are more than 50 statues of different sizes including the Triad Buddha, Manjusri (Van Thu) on a blue lion and Samantabhadra (Pho Hien) on a white elephant. The most remarkable is a thousand-handed and thousand-eyed Guanyin, which is described as a sculptural masterpiece of Vietnam. Work on the statue began in 1656 and took several years for completion. The statue is 2.5 meters tall, excluding its pedestal, with 11 heads and 14 layers of 789 arms with an eye in each palm forming a circle 2.2 m in diameter. Forty-two more arms encircle the waist, making various gestures of the hands. The goddess is sitting on a lotus lifted up by dragons. Passing through a small stone bridge visitor reach Am Tich Duc (accumulated good deeds sanctum), then the Middle Hall (nha trung), followed by the Worship Palace (phu tho) where statues of Queen Trinh Thi Ngoc Truc and her children can be found. Behind the backyard garden stand two stone stupas, both some 20 meters tall, used to contain remains of priest Chuyet Chuyet and the pagoda's second priest Minh Hanh.The name But Thap was given by King Tu Duc in 1876 when, on a field research tour of Kinh Bac, or the former northern citadel, he saw the beautiful stone stupa shaped like a pen at this pagoda. The literary name of the stupa was Bao Nghiem, which means to pay a debt of gratitude to the master for his strict teaching.
Being recognized as the country's cultural historic relic, But Thap Pagoda is not only an important place for pilgrims but also a tourist attraction. From Hanoi downtown, drive along National Highway 5 some 15 kilometers to Sui region, then turn left and go straight around five kilometers you will reach But Thap Pagoda. Or you can take a boat ride up the Red River. Where the Red River meets the Duong River, the boat turns on the latter going downstream some 20 kilometers to reach But Thap Pagoda. But Thap Pagoda is worth visiting.

Located west of the city center, the Bao Tang Dan Toc Hoc Viet Nam or the Vietnam museum of ethnology offers informative and well documented displays on the country’s many ethnic groups.
These range from the dominant Kinh to the smallest minorities in the highlands of the north and center. Exhibits in the main building include the elaborate and colorfull hill-tribe costumes, weaving designs, musical instruments, fishing implements, work tools, and other functional objects. The displays continue on to the extensive grounds outside, with fascinating examples of minority housing from the Central Highlands, such as communal houses, steep pitched roofs, and elaborately carved tombs. A highlight here is the re-creation of a Black Thai house.
The museum also serves as a research center for Vietnam’s 54 recognized ethnic groups.
Rivaling Cot Co as one of Hanoi’s most prominent icons, the Chua Mot Cot or the One Pillar Pagoda was constructed by Emperor Ly Thai Tong in AD 1049. Situated within the tiny Dien Huu Pagoda, also dating from the 11th century, this wooden pagoda was built, as the name suggests, on a single stone pillar, standing in an elegant lotus pond.
According to legend, the king, who had no son, had a dream in which he was visited by Quan Am, Goddess of Mercy. She was sitting on a lotus flower and presented him with a baby boy. Soon after, Ly Thai Tong married a new young queen who bore him a son. To show his gratitude the emperor ordered the construction of a single-pillared pagoda representing a lotus flower. Over the centuries, One Pillar Pagoda has been damaged and reconstructed on numerous occasions.
However, none of these acts of destruction is harder to fathom than its burning by the French in 1954.
On the west side of Ba Dinh Square, a heavy grey structure, built on stone quarried from Marble Mountain near Danang, is Ho Chi Minh’s last resting place.
An unassuming man, who notably shunned the comforts and trapping of power, Ho Chi Minh had specially requested that he be cremated and his ashes scattered in Northern, Central, and Southern Vietnam, symbolizing the national unity to which he had devoted his life. In keeping with these beliefs, he had also vetoed the construction of a small museum on his life at his home village near Kim Lien, NamDanDistrict, Nghe An Province, arguing that the funds could be better employed in building a school. However, after Ho Chi Minh’s death in 1969, the leading members of the Vietnamese politburo altered his final testament by deleting his request to be cremated. Instead, with the help of Soviet specialists, the leader was embalmed and installed at the Ho Chi Minh Mausoleum in 1975.
The building’s exterior is considered by many as both ponderous and unappealing. Astonishingly, the architects apparently intended the structure to represent a lotus flower, though it is difficult to understand how.
Inside, the mood is somber and decidedly respectful, if somewhat overpowering at times. Ho Chi Minh, dressed in simple clothing favored by Chinese nationalist leader Sun Yat Sen, lies in a chilled, dim room, his crossed hands resting on dark cloth covers.
The mausoleum is an important pilgrimage site for many Vietnamese, especially from the north, and should be approached with respect and reverence. Any kind of noisy behavior, loitering, and inappropriate clothing is strictly forbidden.
The oldest and possibly the finest architectural complex in Hanoi, Van Mieu Quoc Tu Giam or Temple of Literature, was established in 1070, during the Ly Dynasty (1009 - 1225). Founded in honor of the Chinese philosopher Confucius, it served as a center for higher learning, educating future mandarins for more than seven centuries. The temple was modeled on the original Temple of Confucius in the Chinese city of Qufu, and consists of five courtyards, the first two of which feature well-tended lawns. Each courtyard is separated by walls and ornamental gateways, and a central pathway through the complex divides it into two symmetrical halves.
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